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Wayne Allen
Geis

Wayne Allen Studio

New Jersey

Proprietor of Wayne Allen Studio in New Jersey, Wayne Allen Geis serves as an acting and voice coach for individuals with a passion for theater and music. With over three decades in the entertainment industry, Wayne Allen Geis helps up-and-coming actors and performers with acting and vocal training. Additionally, Wayne Allen Geis utilizes his vast experience to consult professional performers about career goals and methods. Born in Chicago, Illinois, and raised in New York City, Wayne Allen Geis attended John Mace Vocal Studio from 1963 to 1973 and trained as an operatic tenor with Maestro John Mace. Specializing in vocal performances, Wayne Allen Geis attained leading roles on Broadway. Wayne Allen Geis first started his theater career with a role in A View from the Bridge, a Tony Award-winning Arthur Miller production. Wayne Allen Geis replaced Jon Voight and performed as Rodolfo in the original play where he collaborated and worked alongside with Dustin Hoffman and Robert Duvall. After studying with John Mace, Wayne Allen Geis also received coaching from Richard Woitach, Armen Boyajian, and Virginia Gerhardt, which led to singing performances in Tales of Hoffman, Madame Butterfly, La Boheme, and more. In 1972, Wayne Allen Geis traveled Europe and sang in several notable opera houses under the name Erik Geisen. Under the stage name Erik Geisen, Wayne Allen Geis produced a number of commercial recordings including The Student Prince with Bayer Records, Cosi Fan Tutte with Concert Hall, and Orff’s De Temporum Fine Comoedia with Deutsche Grammophon. During his career, Wayne Allen Geis has given back to the entertainment industry by teaching and coaching others; Wayne Allen Geis formed independent studios in the United States, Germany, and Switzerland. In the late 1980s, Wayne Allen Geis returned to the United States, and he continues to teach individual students and holds classes in New York City, Tacoma, Portland, and Seattle.


Wayne Allen Geis's Affiliations

Wayne Allen Geis's Publications

  • A Brief Summary of the American Federation of Television and Radio Artists
    March, 2011
    by Wayne Allen Geis

    As a professional voice and acting coach, I harness the vast experience of my 30-year career in training students in every aspect of performance. Featured in European opera houses for 15 years, I appeared on radio and television in Central Europe and on the commercial recordings of operas. Today, I maintain membership in a number of professional organizations, including the American Federation of Television and Radio Artists.

    Comprised of more than 70,000 artists, performers, and journalists in the U.S., the American Federation of Television and Radio Artists (AFTRA) acts as a labor union for all affiliated parties. Some examples of individuals who have joined this association include musical artists from the contemporary, pop, rock, Latin, and folk genres, and professionals from broadcast, radio advertising, and audiobook backgrounds. AFTRA also welcomes members who participate in public and cable television, sound recordings, and other non-broadcast sectors.

    Through its advocacy initiative, AFTRA represents its membership by supporting appropriate wages and working conditions. This company regularly negotiates agreements that provide minimum requirements for artists’ salaries, while never enforcing a maximum on the individual’s wages. Additional benefits of membership with the American Federation of Television and Radio Artists include potential discounts, scholarships, and sponsored Health or Retirement Fund enrollment. AFTRA also hosts a national convention every other year in which local representatives of the organization travel to contribute to the development of new policies and programs.

    As a member of the American Federation of Television and Radio Artists, I am proud to belong to a nationwide group of individuals who fight for fair treatment and wages for entertainment professionals. I view this organization as one of the most instrumental societies in my industry, and I am thankful for the opportunities its membership affords me.

  • How to Keep up with Politics and World Events, Wayne Allen Geis
    April, 2011
    by Wayne Allen Geis

    With social networks and assorted news networks able to provide up-to-the-minute news coverage, keeping up with world events and politics should be easy, but sometimes the deluge of information proves too great to sift through. In an effort to stay current with events, I use the following techniques, which might prove useful to you as well.

    1. Join Social Networks
    Facebook, Twitter, and other social networks grow in popularity as new users and organizations join every day. If you have not done so already, join one or two social networks of your choice, and then search for your favorite news provider. Chances are, they utilize the service and provide breaking information to their subscribers.

    2. Subscribe to Newspapers
    Electronic media may be overtaking print periodicals, but ink and paper have plenty of miles left in them. Newspapers take pride in hiring informed writers who relay factual information in a way that is accessible to large audiences. Subscribe to the newspaper of your choice and read it daily. Also, many newspapers maintain informative websites that act as continually updated extensions of the printed paper. Register to those sites to stay informed in between paper deliveries.

    3. Contact Your Local and State Representatives
    Many people accuse politicians of being out of touch with the general public. In many cases, the general public is as detached from local and state representatives. Why wait until election season to make your voice heard? Look up your city and state representatives, find their contact information, and write to them with your thoughts on current issues.